Irish Eyes, Unsmiling: Mark O’Rowe’s The Approach Is a Triple Showcase for Actors
The Irish playwright Mark O’Rowe doesn’t bring his work to New York often, but when he does, the seats catch fire. His Howie the Rookie has been performed in New York three times in the last 20 years—each time scorching the curtains—and anyone who saw his string-of-monologues Terminus in 2008 is probably still waking in the night, screaming. But our view […]
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